Saturday, December 31, 2016

New York City's Central Park (history)

New York City's Central Park (history) - Central Park was the first public landscaped park in all of the United States. It spans eight-hundred forty-three acres and covers one-hundred twenty-three city blocks. The park is bordered by 59th Street to the South (more commonly known as Central Park South), 110th Street to the North (aka Central Park North), 8th Avenue on the West (Central Park West) and 5th Avenue on the East. The park is, no pun intended, a central fixture in New Yorkers life style for escaping the hustle and bustle of the city’s fast pace. Walking within its interior you will find everything from those seeking an exercise fix by enjoying one of the park’s numerous running/walking paths to those who are just content to rest atop one of the parks 9,000 plus wooden benches.
Central Park (history)
Central Park (history)
The earliest concepts for a “Central Park” within New York City date back to 1844. It was during this time that then Evening Post editor William Cullen Bryant began to champion the idea of added green space for the entire city to enjoy. A site bordered by 5th and 8th Avenues and 59th and 106th Streets was selected as the preferred site, but the locale presented multiple challenges. In addition to the area having a difficult terrain for development (primarily swamps and bluffs at the time), approximately 1,600 residents would have to be displaced from their homes. The city would have to utilize its right of eminent domain across the area’s seven hundred seventy acres to seize and begin planning for the park. Over a three-year period dating from 1853 to 1856 the city paid over $5 million to acquire the property. Each of the former residents, who primarily consisted of Irish pig farmers and German gardeners, received an average sum of seven hundred dollars per lot.

With a majority of the former owners having been paid off by October 13, 1857, the Board of Commissioners for Central announced the country’s first landscape design contest. Prizes were announced ranging from four hundred to two-thousand dollars. In all thirty-three submissions would be received including one design that called for nothing more than erection of a central pyramid. The winner, however, was plan number 33 by an odd team of one man who had no landscaping design experience and another who had worked under the famed landscape architect Andrew Jackson Downing. The team was Frederick Law Olmsted and Calvert Vaux and their design was known as the “Greensward plan.”

The individual whom had no prior landscape design experience was ironically a man who would be later become recognized as one of the fathers of American landscape architecture, Frederick Law Olmsted. Olmsted had a quite prolific career as his firm would carry out some five hundred fifty projects between the years of 1872 and 1895. Outside of Central Park, some of Olmsted’s more notable works include landscaping the grounds around the U.S. Capitol in Washington D.C., the Emerald Necklace in Boston, and a series of parks within Chicago including Jackson and Washington Parks and the Midway Plaisance which was designed specifically for the 1893 World’s Columbian Exposition.

Olmsted’s partner, Calvert Vaux on the other hand, was a formally trained architect who both tutored under and worked with famed designer Andrew Jackson Downing. Vaux was born and raised in London where he would meet Downing in 1851. Downing, impressed with Vaux’s abilities, convinced him to move to New York where the two became business partners. During their short period of working together their firm would become known for well-recognized commissions such as the grounds of both the Smithsonian Castle and the White House. Unfortunately the partnership would be dissolved upon Downing’s death in a steamboat accident in 1852. Ironically, Vaux himself would meet a similar demise in 1895 when he died in a drowning accident. During his career though Vaux would showcase an impressive resume that included the Metropolitan Museum of Art (1874) and the original portion of the American Museum of Natural History (1877).

The partnership of Olmsted and Vaux was a curious one. Although it was obviously a very successful venture for both, it operated under the stress of a mixture of jealousy and admiration. Olmsted held his partner in the highest regards and even commented that without him, “I should not have been a landscape architect. I should have been a farmer.” Vaux, in the meantime, was often bitter over Olmsted’s grander reputation despite his less formal background. The men found a way however to work jointly for seven years before dissolving their partnership in 1872. They would work again together on occasion, but never to the grandiose scale as they did on Central Park. Even on this front though, the partnership would find themselves resigning on multiple occasions during the park’s creation due to creative differences with park officials.

To implement their infamous Greensward Plan (Greensward being an old English term for the laying of fresh green turf or grass.), the terrain would require a massive overhaul. Much of the rocky terrain had to be flattened and/or coerced into more friendly patterns for ease of navigation. This required one hundred sixty-six tons of gunpowder, more than that used in all of the Battle of Gettysburg during the Civil War. Approximately 20,000 workers would carry ten million carts of dirt and stone from these changes both into and out of the park. 500,000 cubic feet of the additional top soil also had to be transported in from New Jersey for more fertile plantings (a fact that many New Yorkers likely choose to ignore). Planted within this soil were some 500,000 trees and shrubs.

Perhaps Olmsted and Vaux’s greatest achievement within the park though was their ability to create a series of paths and roads that lent itself naturally to many varying uses. In their plan the duo had to figure out how to ensure that pedestrian paths never needlessly crossed with carriage roads. Their innovative solution was to sink four traverse roads that would never intersect and allow traffic to flow seamlessly. In addition, this “buffer” amongst the paths provided a natural noise reduction that allowed the park to maintain its tranquil ambience.
Central Park would officially open in 1859. In 1863 the park would be expanded an additional seventy-three acres to encompass 843 acres in total (to which it remains this day). Today, in addition to being an escape for many city residents, Central Park also maintains a population of eighteen full-time residents as per the 2000 U.S. Census. Per census statistics, the median age of these individuals is 38.5 years old and equates to twelve males and six females.

While wandering throughout the park many sites may appear recognizable via films and/or television as Central Park is considered the most filmed locale in the world. Central Park has appeared in over three hundred films that have included Enchanted, Hannah and Her Sisters, Home Alone 2, Kramer vs. Kramer, Love Story, Marathon Man, Serendipity, and When Harry Met Sally. -iwalkedaudiotours-

Saturday, December 19, 2015

Iwalked New York City's Ellis Island

Iwalked New York City's Ellis Island - Neighboring nearby Liberty Island (home to the Statue of Liberty) is Ellis Island, the long-time point of origin for millions of immigrants from 1892 to 1954. Between twelve and seventeen million people passed through Ellis Island during this period. It is also said that 40-50% of Americans can trace their roots to an ancestor who entered the country via Ellis Island. Not all immigrant arrivals had to be processed through Ellis Island though. Approximately 30% of people were able to be processed right on board their own ship. This was limited of course to patrons who could afford the first-class status ticket.

Ellis Island
Ellis Island

Myths of Ellis Island

There are two popular myths or misconceptions which often surround Ellis Island. The first surrounds a misconception that many individuals changed or were even forced to change their names upon entry into the country. Audits of Ellis Island records have proven this to be false and the amount of names not translated 100% accurately was found to be extremely low. The second largest myth surrounds a supposed large number of immigrants who were denied entry due to disease and illness. Again, subsequent reviews in the recent past have shown that this instance was extremely rare and occurred on less than 4% of persons.



Today if you visit Ellis Island it has been transformed into a museum, titled the Ellis Island Immigration Museum. This 3-story museum tells the tale of countless individuals who passed through its hallowed halls and is definitely worth the experience. To get to Ellis Island or Liberty Island you actually need to purchase tickets at Castle Clinton in Battery Park.

For more information on Castle Clinton, you may read Iwalked New York City's Battery Park – Castle Clinton

Wednesday, February 25, 2015

Iwalked New York City's Battery Park – Castle Clinton

Iwalked New York City's Battery Park Castle Clinton - Castle Clinton was an American fort built in 1811 in preparation for the War of 1812. It was designed by the John McComb, Jr. who is also thought responsible for the St. Elizabeth Ann Seton Shrine. It was the last of five forts built in New York. Castle Clinton’s brownstone walls were largely erected through the hard efforts of volunteers which largely included students from Columbia College.

Castle Clinton
Castle Clinton
Castle Clinton was not the first fort located near this spot. Shortly after the Dutch first arrived and began settling in this area in 1625 they began to build the first fort, Fort Amsterdam, in 1626 to protect their settlement. This fort was later renamed in 1687 to Fort George after the British began to take over. The mounted cannons at Fort George in this area provided the nickname “The Battery” for the park in which Castle Clinton is located. Approximately 100 yrs later that original fort was finally destroyed and used for landfill in expansion of The Battery. The site of this historic fort is now the site of the Alexander Hamilton U.S. Custom House.

Getting back to Castle Clinton, it was originally named the West Battery before being renamed in 1815 to then New York City mayor (and later New York governor) DeWitt Clinton. The fort and its 28 guns were officially decommissioned in 1824 after never firing a single shot. The former fort was transformed and leased by the city to become a private theater under the name Castle Garden. For thirty years, until 1855, the venue was the site of popular shows as well as serving as a beer garden. It was during this period in 1850 that P.T. Barnum introduced the United States to the Swedish soprano Jenny Lind.

In 1855 the U.S. government took over the property and used it for a period as the predecessor to Ellis Island for immigration processing. It would serve this function until 1890 when responsibility was officially shifted to Ellis Island. During this period of 35 years, approximately 8 million people were processed for arrival to the United States including Harry Houdini.


In 1896, Castle Garden took on yet another life as it housed the New York Aquarium. The Aquarium resided here until 1941 where the building remained vacant for a few years before serving in its current capacity as the ticket offices for the Ellis and Liberty Islands.

You can walk around inside Castle Garden for free today. Inside are numerous historical plaques and such where you can read more about the history of this site. If you are interested in catching one of the ferries to Liberty and/or Ellis Island, please note that it is recommended you purchase tickets in advance as they do sell out. Both islands are popular for obvious reasons. Per the National Park Service website, some four million visitors were recorded to these sites in 2009.

Sunday, February 2, 2014

IWalked New York Citys Site Of Former Mudd Club

New York Citys Site Of Former Mudd Club - The building at 77 White Street was constructed in 1888 for a real estate developer at the time by the name of John Dodd. This address is best recognized as the site of a former punk rock haven known as The Mudd Club which operated here between the years 1978-1983.

Mudd Club
Mudd Club
The Mudd Club was an interesting name selection for a musical venue. The club’s name was in reference to Dr. Samuel Alexander Mudd. Samuel was a physician in the mid-late nineteenth century who is best known for allegedly aiding John Wilkes Booth who had injured his leg while fleeing Ford’s Theatre after assassinating President Abraham Lincoln. On the evening of April 15, 1865, Booth and fellow conspirator David Herold arrived at Dr. Mudd’s home around four o’clock in the morning. During the approximate twelve to fifteen hours spent at the Mudd household, Samuel reset and created a splint for Booth’s leg. This splint has been famously labeled by history as “Mudd’s Club.” It is unknown if Mudd was aware of the President’s murder during the tenure of Booth’s stay.

What is clear is that when Samuel did finally notify authorities the following day he was arrested for aiding and abetting in Booth’s escape. Mudd was tried and convicted for his involvement and narrowly escaped the death penalty by only one vote. Due to speculation of whether Samuel really did or did not have knowledge of Booth’s activity the evening he appeared on his front step, Samuel was eventually pardoned by President Andrew Johnson and released in 1869. Mudd has never been fully exonerated of all charges despite multiple attempts by his family to do so. One indirect descendent of Samuel who has helped restore integrity to the Mudd family name is television journalist Roger Mudd who is one of the most revered anchors across multiple news programs and a frequent contributor to the History Channel.

Returning to the former music venue, the Mudd Club was started for the low sum of $15,000 by a trio of players in the local art music scene—Steve Mass, Diego Cortez and Anya Phillips. It opened in October 1978 as a chic underground alternative to the trendy club scene at Studio 54. Similar to Studio 54 though, the venue quickly became a celebrity haven where a strict door policy only allowed the most famous or the most beautiful where anything could happen once inside. A People magazine article date July 16, 1979 described the scene as, “Andy Warhol is happy to have found a place, he says, “where people will go to bed with anyone—man, woman or child.” Some patrons couldn’t wait for bedtime, and the management has tried to curtail sex in the bathrooms.”

In addition to the gender neutral bathrooms, the Mudd Club was probably best known as being a hot bed for new music. Breaking bands like Blondie and Talking Heads were frequent headliners. In fact, the Talking Heads memorialized the club in their 1979 song “Life During Wartime” where we’re reminded, “This ain’t no party. This ain’t no disco.” Similarly the Ramones would draft their own remembrance titled “The Return of Jackie and Judy” about a runt named Judy and a punk named Jackie who just happened to head down to the Mudd Club.

The venue would eventually close its doors in 1983 after the scene was described as having deteriorated to the “hangers-on to the hangers-on.” Wishing to reincarnate his club to its original intended roots, founder Steve Mass, similar to Izzy Young and his famed Folklore Center, relocated his business overseas in 2001. The new Mudd Club continues to operate successfully in Berlin, Germany to this date.

And speaking of the recent past, not surprisingly, the former underground Mudd Club is now the site of converted apartments. One recent market listing in September 2011 listed a one-bedroom unit for the sum of just under $2.4 million. Ironically the real estate listing did not provide details as to the nature of gender neutral restrooms.


Wednesday, January 1, 2014

Iwalked New York City’S Central Park – Balto Statue

Iwalkedaudiotours.com - Will Smith summarized it best in the 1993 movie “Six Degrees of Separation” when he commented that he was wondering, “Why was there a statue of a dog who saved lives in the Yukon in the middle of Central Park?” A question many have asked when passing the bronze sculpture of a sled dog named Balto.

Balto Statue
Balto Statue
Balto’s story begins in 1925 in the remote Alaskan town of Nome, located on the Seward Peninsula. Nome was a former gold mining town that had seen better days and who’s population had dwindled to approximately 1,400 people. On January 21, 1925, doctors within the town began to notice an outbreak of a potentially deadly diphtheria epidemic. Diphtheria operates as bacteria that cause swelling within a person’s nose and throat thereby restricting breathing. The disease further releases a toxin that can cause heart failure or paralysis. In short, if not treated timely via an antitoxin, the epidemic could spread quickly with a predicted high rate of fatality. For instance, a similar influenza epidemic that had hit the Seward Peninsula in 1919 had killed approximately fifty percent of the area’s population.

An antitoxin was needed to save the small town of Nome and it would be needed quickly. The challenge lied in the fact in Nome’s relative isolation and lack of accessibility. The only three airplanes in the state of Alaska at the time had all been stripped down for the winter and were inoperable. Meanwhile, the nearest railroad station in Nenana was over six hundred fifty miles away. The only option was for the serum to be delivered via rail from Anchorage to Nenana and then carried by sled dog the remainder of the six hundred seventy four miles to Nome.
A team of twenty mushers and one hundred fifty sled dogs were assembled and the team departed on January 27, 1925. Amongst the team members were a sled dog named Balto and a Norwegian-born musher named Gunnar Kaasen who would each play key roles in the journey. Balto, a Siberian husky, was named for a Norwegian explorer named Samuel Balto. It was Balto who would guide the team through the final twenty-hour and fifty-three mile leg of their journey in near whiteout conditions.

Kaasen’s contribution, although less publicized, is perhaps more remarkable when one considers the feat he achieved. In addition to enduring temperatures that dipped to -40 degrees Fahrenheit, he saved the journey when just twenty-one miles out from their destination he noted that the lead musher had fallen asleep. When a gust of wind surprised the team, it toppled the sled and the serum was thrown into the surrounding banks of snow. Fearing the worst, Kaasen frantically clawed through the snow with his bare hands and despite near blizzard conditions was able to find the serum. After this, he reloaded the sled and led his team the final stretch of the journey. The team arrived in Nome on February 2 at 5:30 a.m. The first thing Kaasen did to celebrate his journey was pull the ice splinters embedded within the sled dog’s feet.

The historic five and a half day journey from Nenana to Nome has become known as the “Great Race of Mercy.” Each year a race known as the Iditarod Trail Dog Race is held along this path to commemorate the occasion. The serum provided did halt the diphtheria outbreak and the epidemic was limited to only claiming five lives when the alternative could have been much worse.

For his part in the rescue, Balto became a mini-celebrity for a short period of time. His fame was short lived however, and he and his team of sled dog companions were sold to a vaudeville show owner in California. While visiting California, a Cleveland businessman and former prize fighter named George Kimble visited the dogs and was horrified to find they had been severely mistreated. He assisted in raising the $2,000 necessary to reacquire six of the dogs and they were moved to the Cleveland Zoo where they spent their remaining days. Balto would pass away at the age of fourteen in 1933.

Lost but not forgotten, the city of Cleveland ensured that families would always have the opportunity to visit Balto. A taxidermist mounted the sled dog for display where he would be placed within the Cleveland Museum of Natural History where he remains to this day. Balto did make one final trek back to Alaska in 1998. During this time the state passed a formal resolution titled HJR 62 – ‘Bring Back Balto.’ The resolution called for Balto to be permanently returned to the home where Balto became famous, however, a compromise was eventually made where his remains were loaned to the Anchorage Museum of History and Art for five months before returning to Cleveland.
As to Balto’s Central Park tribute, it began via a collection of private contributions in 1925 by folks that were infatuated with his highly publicized tale. Although he had no association to New York City, the necessary funds were raised and a statue erected on December 17, 1925. The bronze sculpture which sits atop a rocky ledge features an enthusiastic canine with ears perked up to attention. Amongst the attendees at the statue’s unveiling included both Balto and musher Gunnar Kaasen. Balto’s attendance at an unveiling of his own statue marked only the second time this had occurred since 1871 when Samuel Morse similarly attended his own dedication.

The popular Balto sculpture was created by a Brooklyn-based artist named Frederick George Roth. Roth was already well known for his animal sculptures at the time of the Balto commission. His works were further well recognized throughout Central Park, with Roth having served as the head sculptor for the New York City Department of Parks and Recreation for a period of time.

Balto’s tale has most recently been retold via the 1995 animated film affectionately titled, Balto. The animated feature, featuring Kevin Bacon as the voice of Balto, was successful enough to lead to two sequels that were subsequently released in 2002 and 2004.

The Balto sculpture is located within New York City’s Central Park approximately one block inward from the East 67th Street park entrance.

  • Website: http://www.centralpark.com/guide/attractions/balto.html

  • Address: Central Park, New York City, NY (East Drive at 67th Street)

  • Cost: Free

Thursday, December 19, 2013

Iwalked New York Citys Soho History

Iwalked New York Citys Soho History - SoHo is an acronym for South of Houston Street. The acronym which loosely describes the neighborhood’s locale within the busy New York landscape was also a brief nod to London’s similarly named district. SoHo was the first acronym applied to a New York City neighborhood and derived from a study titled the “South Houston Industrial Area” in an official document known as the “Rapkin Report” released in 1962. The report was issued by Chester Rapkin, a New York City Commissioner of Planning.

New York Citys Soho History
New York Citys Soho History
The area has seen numerous transformations from residential to commercial (and since returning to residential), but originally began as the first settlement for freed African Americans. Larger influxes of residents would not occur until the early 19th century after the stench and disease emanating from nearby Collect Pond was cleaned up and the pond filled in with land.

Diseases and stench would reappear, albeit in a different front, when SoHo made its name as the city’s red right district in the mid-nineteenth century. This reputational decline commingled with a more general migration of families further north in the city led to much of the area becoming abandoned by the late nineteenth century. Industry took advantage of building vacancies and the area took on a large textile presence. Once again the area faced a large exodus when the textile industry left after World War II.

This latest abandonment left the city seeking options for dealing with the countless empty warehouses in the area. One option that received a good deal of consideration in the 1960s was a proposed expressway that would link the East River bridges to the Holland Tunnel. This “urban renewal project” proposed by famed urban planner Robert Moses would require razing a good portion of the neighborhood. Residents vehemently fought the proposal and it was eventually squashed. Meanwhile, SoHo was slowly starting to fill its empty halls, or lofts, with a new series of tenants.

Led by the attraction of low rents and large loft spaces, SoHo slowly began to become an artist haven. Lofts were ideally suited for an artist’s needs to serve as both a living space and studio. The term loft actually developed in the nineteenth century to describe empty spaces on upper stories of building where sail making was performed. Usage of the term took on a more general use to eventually describe the upper stories of warehouses, factories, and other buildings which often resided on the ground floors. Today, lofts are common living space for many New Yorkers.

When artists first began to move into the area they did not always do so under proper legal terms. In some instances, artists would just “squat” in abandoned warehouses and in other instances landlords allowed them to live in substandard buildings in exchange for low rents. The city, concerned over tenants living in potentially hazardous buildings, attempted to make the residency illegal however this proved unsuccessful. In 1961, Mayor Wagner agreed to allow two artists to live in a single building, but only if the property was properly labeled as “Artists in Residence”. This signage also required the floor numbers on which the artists lived in the event that the structure in which they resided should catch on fire.

As more and more artists started to move to SoHo, new legislation to manage residency was required. The first such act came in 1971 when certain housing was set aside just for artists and was managed via the Artist Certification Committee. Approximately ten years later the 1982 Loft Law ensured that escalating rents would not become a deterrent. Rent stabilization was enacted on many lofts and this preserved the integrity and feel of the neighborhood for many years. Beginning within the last twenty years, as rent stabilization has slowly begun to be phased out in some areas, SoHo has started to become one of the pricier neighborhoods in which to live.

One attraction that has long brought with it the desire to live in the area is its beautiful cast iron architecture. Cast iron was first developed in the twelfth century for usage of tools but not integrated into architecture until the 1770s when it was unveiled in Paris, France and Liverpool, England. Its popularity grew after the display of the Crystal Palace with its ornate iron façade (1850-51, Joseph Paxton) during the London Great Exhibition of 1851. Suddenly more and more buildings began to be developed with cast iron in London and Paris. A large portion of the attraction transcended from both the ease of construction (buildings were being erected in four months or less) and the ability of developers to ornately mold the material into intricate designs. And if a piece broke off during its shaping? Well, just melt it down and start over. One perceived benefit that did not prove advantageous was the belief that cast-iron was fireproof. Unfortunately, later circumstances would show (in examples such as the Great Chicago Fire in 1871) that while the material would not catch fire, it did melt.

Two men who helped shape and develop the cast iron landscape of SoHo were James Bogardus and Daniel D. Badger. James Bogardus was an American architect whose styles were so unique with his cast iron craftsmanship that he actually patented his own style in 1850. His interest in cast iron began during a visit to Europe in 1836. Four years later upon settling in New York City he developed a five-story factory where he began manufacturing cast iron for construction. His first cast iron work within the city at 183 Broadway was built in 1848. Unfortunately that building has since been destroyed. He would also begin to design buildings across Baltimore, Chicago, Havana, Santa Domingo, San Francisco, and Washington D.C.

As building records around this period are scarce only three existing New York City buildings have been successful attributed to Bogardus (85 Leonard Street, 254 Canal Street, and 63 Nassau Street) but his influence is seen throughout SoHo. Bogardus, in addition to being a successful architect, was quite the prolific inventor as well. His was officially awarded thirteen US patents in his lifetime which included clocks, a grinding machine, gas meters, a postage stamp maker and a refillable lead pencil.

The other leading force in SoHo’s cast iron development was Daniel D. Badger who got his start in the iron industry via a foundry in Boston. He moved to New York City in 1846 and opened his own foundry located at 42 Duane Street. The company, the Architectural Iron Works, became renowned for its iron shutters and cast iron facades. Badger’s works are seen through both the SoHo and Tribeca area. Within the Tribeca East Historic District alone there are fourteen buildings which have been attributed to the Architectural Iron Works. iwalkedaudiotours.com

Wednesday, August 7, 2013

Iwalked New York Citys Morgan Court aka Sliver Building

Morgan Court aka Sliver Building - Movie fans, or perhaps more specifically Sharon Stone stalking fans, will no doubt recall the red brick tower located at 211 Madison Avenue. This 32-story apartment that was erected in 1984 by Liebman, Liebman & Associates, while recognized to most New Yorkers as Morgan Court, is known by many as the “Sliver” building. Although the 1993 movie portrayed the home of Sharon Stone’s character (Carly Norris) as residing at 113 East 38th Street (just two block south and one block west of here), it was this building which actually served as the exterior shown in the movie.

Morgan Court aka Sliver Building
Morgan Court aka Sliver Building
Ironically other “Sliver” buildings such as this were not uncommon in Manhattan in the late 1980s as over-eager developers tried to fit tall, narrow high-rises into whatever plots of land they could. Here at 211 Madison Avenue, for instance, Morgan Court measures only thirty-three feet wide by one hundred feet long. The sliver buildings that were successful in being built were highly unpopular for obvious reasons.

Shortly after Morgan Court was constructed activists were successful in preventing the further spread of these rather uninviting structures when they convinced the city of New York to develop new zoning restrictions which prohibited any additional “Slivers” from getting under people’s skin.

Tuesday, February 5, 2013

Iwalked Washington D C's Andrew W Mellon Memorial Fountain aka ZodiacFountain

Iwalkedaudiotours.com - Located just outside of the front entrance to the National Gallery of Art is a fountain which was installed here in 1952. The Andrew W. Mellon Memorial Fountain is named after the former Secretary of the Treasury (from 1921 to 1932) and was a gift from friends of Mr. Mellon who donated $300,000 for a memorial in his honor. The fountain consists of three tiers of bronze basins that flow into a granite base. Carved within the base are a series of zodiac symbols said to be arranged so that on the vernal equinox (March 21) the sign of Aries aligns with the sun’s light. These symbols have led to the fountain’s nickname as the “Zodiac Fountain.”

ZodiacFountain
ZodiacFountain
  • Website: http://dcmemorials.com/index_indiv0000330.htm
  • Address: Intersection of 4th Street, NW and Constitution Avenue, NW, Washington, DC
  • Cost: Free

Saturday, January 26, 2013

Iwalked Washington D.C.’s White House (Haunted Tales)

Iwalked Washington D.C.’s White House (Haunted Tales) - In our official White House blog tour we discussed some of the most important tenants of the White House including past Presidents and their spouses, but some of these “past” occupants are still rumored to be “current” tenants. Ironically despite having a reputation as being one of the most haunted locales within all of Washington, only two past Presidents have actually died within the building. The first was William Henry Harrison, the ninth President of the United States, who holds the distinction of both having delivered the longest inaugural speech ever (whilst in the freezing rain mind you), and also maintaining the shortest presidential term at only thirty days. Ironically the two records are related as he died after contracting pneumonia while delivering his prolonged speech. The other president to pass away in the White House was Zachary Taylor, the twelfth President of the United States, who also died under somewhat odd circumstances. Taylor it seems caught stomach flu after eating an abundance of cherries and cold milk. He became ill from his over-indulgence and passed away five days later.

Perhaps the most commonly cited haunted incidents regarding the White House revolve around the ghost of former President Abraham Lincoln. One famous story regarding Lincoln’s ghost involved a visit to the White House by the former Queen of the Netherlands, Wilhelmina Helena Pauline Maria. During her stay she heard a knock at her door and when she went to answer it, she found none other than the former President standing outside. Completely taken off guard, she ended up passing out from the incident. Ironically, it was Lincoln himself who foresaw his own death. He recalled to reporters on one occasion how he dreamed walking through the White House during what appeared to be a somber occasion. He found the source of despair when he noted a coffin lying in state.

White House (Haunted Tales)
White House (Haunted Tales)
He asked someone who was lying in the coffin and they informed him that it was the President. When Lincoln approached the coffin he was surprised to see his own face looking back up at him within. One President publicly declared a desire to see Mr. Lincoln but professed he has not. Ronald Reagan was commented on the topic as saying, “I don’t have any fear at all. I think it would be wonderful to have a little meeting with him and very probably helpful.”

Two other famous ghosts said to roam the halls of the White House include two noted First Ladies. The first is the former wife of second President John Adams, Abigail, who is said to continue about her chores in the East Room. While the White House was still under construction during her husband’s term of office she often hung her laundry in this room and is said to be seen to continue to do so on occasion. The second ghostly guest apparently splits time with her former home (the Cutts-Madison House) where she is also claimed to haunt. It is rumored that Dolley Madison’s apparition has made an appearance on occasions when her former rose garden is unkempt.

  • Website: http://www.history.com/topics/ghosts-in-the-white-house
  • Address: 1600 Pennsylvania Avenue, NW, Washington, DC
  • Cost: Free

Thursday, December 6, 2012

Iwalked New York City’s University Club

Iwalked New York City’s University Club - The University Club, at 1 West 54th Street, is a private social club that was established in 1865. The club was started by a group of Yale alumni who held their initial meetings at Columbia University Law School. Despite its Yale origins, the club does not have any formal ties to this university or any others for that matter. Formal ties, though, are a must in order to get in the door to this club. Men must wear jackets and ties at all times and women are expected to wear similar formal attire in the form of suits or dresses.

University Club
University Club
One other restriction on which the University Club is adamant about is the non-usage of cell phones throughout the club except in designated spaces. In a well-publicized story in 1997, Hillary Clinton was visiting with New York Post celebrity gossip columnist, Cindy Adams, when Adams received a phone call in one of the “non-approved” spaces. With complete disregard for who they were dealing with, the club escorted the then First Lady and her guest out the doors.

As it is likely that most of us will never see the insides of the University Club let me share what I have been able to learn of its interiors from my research. The highlight of the building is the library on the second floor which you can sometimes get a glimpse into from street level. The library is said to contain vast vault ceilings with murals painted atop its ceiling by Henry Siddons Mowbray that emulate the Vatican Apartments. Also amongst the interior is an extensive art collection, including a series of portraits by Gilbert Stuart, and a series of swimming pools allowable for usage with either swimming or birthday suits (at least in the male-only pool).

Speaking of male-only, the University Club underwent an overhaul of its membership policy in 1997 due to the passage of the New York City Public Law 63. Public Law 63 required all fee-collecting clubs with members greater than 400 (of which the University Club has over 4,000 members) to begin allowing the membership of women, or else the club would be forced to alter its charter.

The University Club has been located within this nine-story Italian High Renaissance Revival building since 1899. The Club which took on a series of temporary homes since its founding acquired a lot that was formerly owned by St. Luke’s Hospital to build on this site. They then hired the famed architectural firm of McKim, Mead & White to construct themselves new quarters for the sum of $1 million. McKim, Mead & White’s unique design integrates pink Milford granite on its exterior, along with a series of twenty-five feet columns that grace each side of the front entrance. Also integrated above each of the building’s windows are crests that are representative of various prominent universities. Perhaps the most intriguing element, however, is the deceptive appearance of the building’s exterior. By glancing at the outside of the building it seems apparent that there are no more than three levels, when in actuality the interior maintains nine.

For those curious on membership dues, the current fee structure is not published and has not been in quite some time. The last published fee dates back to 1903 when annual dues were $60 with additional new member fees of approximately $200.